TABLE OF CONTENTS

ACKNOWLEDGEMENTS
PREFACE
NOTE ON ORTHOGRAPHY ABBREVIATIONS
LIST OF FIGURES
LIST OF APPENDICES.

CHAPTER
I. WAYANG WONG, ITS HISTORY
A. Wayang Wwang in Ancient Mataram of Central Java (8th to 10th Century)
B. Wayang Wwang and Raket in the Old Kingdoms of East Java (10th to 16th Century)
C. Wayang Topeng in Premodern Mataram of Central Java (16th to 18th Century)..
D. Wayang Wong in the Kraton of Yogyakarta (1755-1939)
E. Conclusion

II. WAYANG WONG, A STATE RITUAL
A. Pangeran Mangkubumi's Claim To Be the True Ruler of Mataram
1. Conception of the Kingship of Mataram
2. The Pusakas
B. Sultan Hamengkubuwana (1755-1792), the Great
Artist
1. Bědhaya and Srimpi, the Pusakas InheritedFrom Sultan Agung
2. Běksan Lawung and Wayang Wong, the Pusa kas Created by Sultan Hamengkubuwana
3.Wayang Wong, the State Ritual
C. Sultan Hamengkubuwana VIII (1921-1939), the Great Patron of Wayang Wong
D. Conclusion ...

III. WAYANG WONG TEXT, A LITERARY WORK; WITH SPECIAL REFERENCE TO THE LAKON MINTARAGA
A. The Kakawin Arjunawiwaha B. The Lakon Mintaraga in the Yogyakarta Wayang Wong....
1. The Lakon
2. Some Similarities and Differences Between the Lakon Mintaraga and the Kakawin Arjuna wiwaha
3. Some Similarities and Differences Between the Lakon Mintaraga in Wayang Wong and in Wa yang Kulit
C. The Dramatic Structure and Elements of the La-kon...
1. The Serat Kandha a. The Wangsalan
b. Sasmitas for the Plajaran Pieces
c. Sasmitas for the Ayak-Ayakan Pieces.
d. Sasmitas for the Pěsindhen Kakung.
e. Sasmitas for the Pocapan
2. The Kěprak
D. The Language
1. The Basa Pědhalangan
2. The Undha-Usuk
E. Conclusion

IV. WAYANG WONG, ITS CHARACTERIZATION..
A. Costumes and Makeup..
1. Garudha Mungkur, Měkutha and Praba
a. Garudha Mungkur.
b. Měkutha and Praba
2. The Makeup
3. Měkutha and Praba
4. Wanda
B. Characteristization of the Movements..
C. Conclusion

V. CONCLUSION

BIBLIOGRAPHY
GLOSSARY
APPENDICES