1 Introduction -- 2 United States v. Portrait of Wally -- 3 Altmann v. Republic of Austria -- 4 Westfield v. Federal Republic of Germany -- 5 Orkin v. Taylor -- 6 Von Saher v. Norton Simon Museum of Art -- 7 Cassirer v. Kingdom of Spain and Thyssen-Bornemisza Collection Foundation -- 8 Grosz v. Museum of Modern Art -- 9 Bakalar v. Vavra -- 10 Museum of Fine Arts, Boston v. Seger-Thomschitz -- 1…
Why Arnheim? Why Gestalt? -- Arnheim and Different Approaches to the Psychology of Art -- Expression, Symbolism and Visual Thinking -- The Senses, Perceptual Objects and Their Dynamics -- The Notorious Gestalt Brain Model -- The Dynamics of Pictorial, Sculptural and Architectural Form -- The Dynamics of Pantomimic Form -- The Dynamics of Musical Form -- The Dynamics of Poetic Form -- Art in Com…
The Pleasures of Bewilderment -- Vermeer’s Annunciation -- The Man with the Red Crayon -- Ghosts at the Table -- Narratives in the Body: Goya’s Los Caprichos -- More Goya: “There Are No Rules in Painting” -- Giorgio Morandi: Not Just Bottles -- Joan Mitchell: Remembering in Color -- Gerhard Richter: Why Paint?.In Mysteries of the Rectangle, Hustvedt concentrates her narrative gifts on t…
Essays -- By his own hand. The valuation of autograph paintings in the 17th century -- Rembrandt’s clothes — Dress and meaning in his self-portraits -- Rembrandt’s self-portraits: problems of authenticity and function -- Grounds in Rembrandt’s workshop and in paintings by his contemporaries -- Biographical information 1643–1669 -- Catalogue -- Self-portrait in a flat cap -- Self-portr…
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This book does not contain bibliography and index Apriliana
This book does not contain bibliography and index Apriliana
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